1977 – UK Soul Number Ones

The first issue of Black Echoes in 1977 was dated January 1st. In the Soul Singles chart, KC & The Sunshine Band were knocked off their Christmas top-spot by a group who had already had a few hits on the chart, including a No.1. The year saw a good mixture of bands, soloists, vocal groups and instrumentalists all make their way to the top of the chart. The chart-toppers were dominated by American acts – but a British band and a trio of French disco experimentalists broke through. Unusually, all the weeks at No.1 by all of the acts were consecutive. There were 22 records in all. Spin ’em: CAR WASH | Rose Royce | MCA 7 wks As a precursor to my personal insight on this particular single, please see the 2nd blog – 1976 Soul Number Ones. It gives you the initial lowdown on this essential disco cut. Suffice to say, this was the first No.1 soul single of ’77 and what a scorcher! Topping the charts for an impressive 7 weeks, it was the title-track to a comedy film starring Richard Pryor. Producer Norman Whitfield created the soundtrack which strongly featured the group. With its distinctive opening handclaps, the song (sung with soulful energy by lead vocalist Gwen Dickey) captured the imagination of everyone – topping the US pop charts along the way and reaching the Top 10 in the UK. This was the group’s second UK Soul Singles No.1 hit. DON’T LEAVE ME THIS WAY | Continue reading

1994 – UK Soul & Dance Number One Albums

The soul albums chart kicked off 1994 with Snoop Doggy Dogg’s Doggystyle clinging to the No.1 slot for a further two weeks into January – making a total of six weeks at the peak for the canine rapper. The following is a reminder of what came afterwards – with the exclusion of any album re-entering the No.1 slot from the previous year. The albums were mainly R&B and hip-hop but also included the odd house/dance album, a jungle compilation and a couple of UK offerings. As always, non-consecutive weeks are listed with an asterisk. These are the number one soul albums of 1994. Roll ‘em. DIARY OF A MAD BAND | Jodeci | MCA 4 wks Jodeci first came to prominence in 1991 with their debut album Forever My Lady. Comprising two pairs of brothers (known as K-Ci and JoJo/DeVante Swing and Mr. Dalvin) they made a huge impact on the soul scene in the US and UK with New Jack Swing tracks like Gotta Love, My Phone and their take on The Association’s 1966 smash Cherish. But their forté proved to be superslow slow-jams like Stay, the title-track and I’m Still Waiting. This LP continued the format – the first side containing ballads, the other more uptempo swingtings. Five singles were released from the album – slow-jam burners like What About Us, Cry For You, My Heart Belongs To U and the exquisite Feenin’.  Their track included in the movie Who’s The Man was big in the UK NJS clubs Continue reading

1976 – UK Soul & Dance Number One Albums

When Black Echoes was first published on January 30th 1976, it didn’t have an albums sales chart for reggae and soul. The first reggae album chart was published within a couple of weeks of the newspaper’s launch – but the first soul album chart didn’t appear until some three months later. In all, 13 albums topped the album charts – mainly consisting of male artists and groups. No female topped the chart in ’76 and only one compilation made it to the top. Here is a rundown of all of the Number One soul albums of 1976. An asterisk indicates non-consecutive weeks at the top. I WANT YOU | Marvin Gaye | Tamla Motown 1 wk Prior to this long-player, Marvin had not released a solo studio album since 1973’s Let’s Get It On. In the interim, Marvin Gaye Live! had been issued in 1974 but nothing had been heard of him since. Released in the States on Tamla in March 1976, this album was a very welcome return of the great one for MPG fans like myself. The title-track was released as a single and was an instant smash. The only other 45 taken from the album was After The Dance. The LP is basically a collection of Leon Ware songs, mostly written with Diana Ross’ brother T-Boy Ross. Leon also produced and arranged the album. Although not as successful as his previous couple of studio albums, it was still a phenomenal seller. Consisting of mainly mid-tempo grooves, Marvin Continue reading