FOOT STOMPING – Soul Singles of 1961

We continue excerpts from the History section of the Celebrate Good Times book with a retrospective of the Top 100 Soul Singles of 1961. Our previous dips into the Sixties soulful goodie-bag has revealed the Top 100 Soul Singles of 1962 and 1963 respectively. This latest journey into the archives presents a selection designed to celebrate the greatest rhythm  & blues records of the year previous. Again, they feature records only released in the UK on 45. Black harmony groups had been around for a long time, initially singing gospel. Recording groups like The Mills Brothers and The Ink Spots took a more secular approach, singing ballads, pop and jump tunes. They made an incredible impact on the global music scene during the Thirties and Forties and were hugely successful and influential. Their style spawned many imitators which in the late Forties gave birth to what we now know as ‘doowop’ – a vibrant and exciting vocal form which saw harmonized back-ups help to create a thrilling rhythmic backdrop and counterpoint to lead vocals. These type of groups became especially prominent in the Fifties which is considered to be the golden era of the genre. A pivotal record in 1959 by The Drifters – There Goes My Baby – saw the addition of lavish string arrangements, which announced the arrival of a new ‘soul’ sound. This drifting soul sound is earmarked in the selection by four of their classics – Room Full Of Tears; a Brill Building masterpiece written by Continue reading

1976 – UK Reggae Number One Albums

The first UK Reggae LPs chart appeared in Black Echoes on February 14th 1976. During the year, 114 albums made the charts – which, from the very beginning, included reggae albums imported from Jamaica or the United States. Of those 114 albums, 10 were by DJ artists, 20 were by bands and vocal groups, 27 were by male vocalists – with only 1 by a female vocalist. The rest were dub albums and compilations. More albums reached No.1 by DJ artists than any other – but the biggest album of the year – by a long chalk – was by a group. Big albums of the year that didn’t reach the No.1 slot include Legalize It by Peter Tosh (No.2), Life Of Contradiction by Joe Higgs (No.4), On The Rock by The Cimarons (No.2), Kick Boy Face by Prince Jazzbo (No.4), Chalis Blaze by Jah Woosh (also No.4) Man In The Hills by Burning Spear (No. 3), Columbia Colly by Jah Lion (also No.3), Trenchtown Mix-Up by The Gladiators (No.4), Satta Massagana by The Abbysinians (No.2). Night Food by The Heptones (also No.2) and 2000 Volts Of Holt by John Holt (No.3). Big-selling dub albums included Gun Court Dub, Rass Claat Dub, African Dub Chapter 2, King Tubby Surrounded By The Dreads At The National Arena and Rasta Dub ’76. Apart from the special No.1 sampler listed below, the other big compilation of the year was Strictly Rockers In A Dread Land. Just 13 albums managed to reach the highly Continue reading

DREAD MOOD – Reggae Singles of 1975

Celebrate Good Times not only microscopically inspects the chart positions of thousands of reggae and soul albums and singles over a period of 24 years, it also retrospectively salutes the great soul and reggae music from bygone eras – from the 50s right through to the mid 70s. For me, 1975 was a very special year for a variety of reasons. 1) My baby sister was born ; 2) I left school (YAY!) ; 3) I went nuts about reggae music. These three things were pivotal events in my life. Reggae music pretty much took over my very being that year – it was like a drug and I was seriously hooked. I read everything I could about it in magazines, newspapers, fanzines. I spent all my spare time in reggae record shops. I bought as much as I could afford. I picked up mainly UK releases but also started to buy pre-release Jamaican imports. I avidly listened to Capital Radio’s TV On Reggae radio show every Saturday night. Tommy Vance even read a request out for me! Even through ’76 and ’77 I was still tracking down tunes I’d heard and wanted in ’75. I created my very first Wants List. Trust me, it was extensive! Of course, I wasn’t to realise at the time how fortunate I was to get switched on to reggae music when it was coming into its golden era. As for the kind of reggae music that appealed to me at the time – Continue reading